Gronk views life as theater. He seeks out the “divine in the daily,” believing that great things can come from limited materials like paint, canvas, cardboard, and wood.




Gronk’s larger painting in the exhibition, Conquest, adds a new material: pulverized clay spread on top of the surface before painting. Both Conquest and his other series, Faces, highlight his love for the color red, which stem from his love for red lipstick.




so depressed i have an hour and a half of work left and then i have to rally for a party i straight up just wanna go home and sleep the past few days have been utter hell for me mentally. mentos illness got disabled and i just wanna curl up and cry i miss it so much it was the one thing bringing me joy and now its just. gone. ahhhhhh










listening to 100g eco at work




general admission fee




avoid opening and reception




proof of vaccination




4pm talk with moffat




go over all the details with suzanne




exhibition preview




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This exhibition is supported in part by the Antonia and Vladimer Kulaev Cultural Heritage Foundation, the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture, and a grant from the City of Los Angeles, Department of Cultural Affairs.




update postcrds

update website










program today

exhibition closing tomorrow

member tour friday

listening party ?!







i want to fucking kms







𝐓𝐇𝐈𝐒 𝐒𝐔𝐍𝐃𝐀𝐘, 𝐒𝐄𝐏𝐓𝐄𝐌𝐁𝐄𝐑 𝟏𝟏 is our workshop 𝙳𝚎𝚌𝚘𝚗𝚜𝚝𝚛𝚞𝚌𝚝𝚒𝚗𝚐 𝚝𝚑𝚎 𝙶𝚊𝚛𝚖𝚎𝚗𝚝 with artists Casey Baden & Minga Opazo. Join them for an 𝗶𝗻-𝗽𝗲𝗿𝘀𝗼𝗻, outdoor workshop and challenge the conventions of the garment by creating soft sculptures or fabric collages.




The workshop will also include a presentation of contemporary artists working with textiles and sculpture, as well as a recommended reading list.




𝗦𝗣𝗔𝗖𝗘𝗦 𝗔𝗥𝗘 𝗙𝗨𝗟𝗟. To join the waitlist, please email 𝗮𝗻𝗱𝗿𝗲𝘀@𝗰𝗿𝗮𝗳𝘁𝗰𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝘆.𝗼𝗿𝗴!


Some sneak previews at the work of Moffat Takadiwa (@moffattakadiwa) for his upcoming exhibition Witch Craft: Rethinking Power!

Takadiwa transforms post-consumer waste into densely layered works that highlights the complexity of contemporary Zimbabwean politics and culture — while also referencing his Korekore heritage.

Takadiwa has made all-new work for this exhibition! We hope to see you there!







32” for metal shelves